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19世紀英国のフェミニズム運動とオフィーリア : アンナ・ジェイムソン『道徳的、詩的、歴史的女性の特徴』を通して
http://hdl.handle.net/10191/41773
http://hdl.handle.net/10191/41773cab490f8-aa3b-4536-946e-73a2254f653d
名前 / ファイル | ライセンス | アクション |
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61_85-102.pdf (334.1 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2016-04-25 | |||||
タイトル | ||||||
タイトル | 19世紀英国のフェミニズム運動とオフィーリア : アンナ・ジェイムソン『道徳的、詩的、歴史的女性の特徴』を通して | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | 19世紀英国のフェミニズム運動とオフィーリア : アンナ・ジェイムソン『道徳的、詩的、歴史的女性の特徴』を通して | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | オフィーリア | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | アンナ・ジェイムソン | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | フェミニズム | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | シェイクスピア作品における女性登場人物 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 19世紀 | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | British Feminism in the 19th Century and Ophelia : Concerning Anna Jameson’s Characteristics of Women, Moral, Poetical and Historical | |||||
著者 |
風間, 彩香
× 風間, 彩香 |
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著者別名 | ||||||
識別子 | 55774 | |||||
識別子Scheme | WEKO | |||||
姓名 | Kazama, Ayaka | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Anna Brownell Jameson’s Characteristics of Women, Moral, Poetical, and Historical was the first book to examine Shakespeare’s female characters at length and consider women as a legitimate category of Shakespeare criticism. Taking into account her figure as a feminist, this article explores the relationship between British feminism in the 1830s and Ophelia, the heroine of Hamlet. In her book, Shakespeare’s female characters are classified into four categories depending on their characteristics. Ophelia is labeled as Characters of Passion and Imagination. “Passion” and “Imagination” were traditionally considered as the masculine characteristics in the Western philosophy and aesthetics. In the context of feminism, they were essential elements to succeed in love. Considering these contexts, these characteristics are weak especially in Ophelia because she is an extremely passive heroine. Her passiveness seems to contradict with feminism. However, Jameson accomplished her aim in the depictions of Ophelia’s girlhood and a love relationship with Hamlet. It is typical for a feminist to put importance on these elements. Using a method typical for feminism, she developed her opinion through Ophelia. Overall, Ophelia’s passiveness is a preferable subject for Jameson to maintain her opinion as a feminist. | |||||
書誌情報 |
現代社会文化研究 en : 現代社会文化研究 巻 61, p. 85-102, 発行日 2015-12 |
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出版者 | ||||||
出版者 | 新潟大学大学院現代社会文化研究科 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13458485 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN1046766X | |||||
著者版フラグ | ||||||
値 | publisher |