{"_buckets": {"deposit": "50b6710b-cdb7-4fa4-9f38-224e3aa1faec"}, "_deposit": {"id": "32133", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "32133"}, "status": "published"}, "_oai": {"id": "oai:niigata-u.repo.nii.ac.jp:00032133"}, "item_6_alternative_title_1": {"attribute_name": "\u305d\u306e\u4ed6\u306e\u30bf\u30a4\u30c8\u30eb", "attribute_value_mlt": [{"subitem_alternative_title": "Practical Studies on System Construction for Interactive Relationship between Human and Computer by Algorithm Composition"}]}, "item_6_biblio_info_6": {"attribute_name": "\u66f8\u8a8c\u60c5\u5831", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2019-03-25", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "90", "bibliographicPageStart": "1", "bibliographic_titles": [{}]}]}, "item_6_date_granted_51": {"attribute_name": "\u5b66\u4f4d\u6388\u4e0e\u5e74\u6708\u65e5", "attribute_value_mlt": [{"subitem_dategranted": "2019-03-25"}]}, "item_6_degree_grantor_49": {"attribute_name": "\u5b66\u4f4d\u6388\u4e0e\u6a5f\u95a2", "attribute_value_mlt": [{"subitem_degreegrantor": [{"subitem_degreegrantor_name": "\u65b0\u6f5f\u5927\u5b66"}]}]}, "item_6_degree_name_48": {"attribute_name": "\u5b66\u4f4d\u540d", "attribute_value_mlt": [{"subitem_degreename": "\u535a\u58eb\uff08\u5b66\u8853\uff09"}]}, "item_6_description_4": {"attribute_name": "\u6284\u9332", "attribute_value_mlt": [{"subitem_description": "Through three stages of composition I succeeded in constructing a system for interactive relationship between humans and computers by algorithm composition.\n\u300aI\u300b\n\"Etude\" for piano and live electronics(2015) is my composition using Antescofo, which is a real-time score following and coordination language for computer music composition and performance, and is developed by Arshia Cont in collaboration with Marco Stroppa.\n In this composition, Antescofo follows the performer, who controls the tempo. I tried to find a way to make the system work and clarified the problem through analysis.\n\n\u300aII\u300b\nIn the previous stage, I mentioned several technical restrictions in the creation of my own work applying the real-time score following technology, and also described the effectiveness of the use of Antescofo, which works with Max as a solution to those. As a continuation of the previous paper, I studied how computers can participate more actively in this paper. I created a program that runs under the following two relationships:\n \u2460A relationship between Max as a performer and a human as a performer\n \u2461A relationship between Max as a performer and Max as a performer (A relationship between Max and Max)\n Based on this relationship, three works were produced and analyzed. Finally, I mentioned the future possibility of the interactive relationship between a computer performer and a human performer.\n\n\u300aIII\u300b\nIn the previous stage, I studied how computers can participate with humans more actively, and created a program that runs under the following two main relationships between humans and computer. Based on this relationship, several works were produced and analyzed. Finally, I mentioned the future possibility of the interactive relationship between a computer performer and a human performer. In this paper, I constructed a system for musical expression in the interactive relationship between a human and a computer, focusing on three roles of computer:\u2460A computer as a musical instrument\n\u2461A computer as a tool for executing a program (thoughts by a computer)\n\u2462A computer as a performer\n In order to use a computer as a musical instrument, I constructed a system that uses Max to output the MIDI note number of the harmonic overtone by the bang message. Furthermore, to recognize the motion of the human hand and send a bang message wirelessly to a computer, I used the R-IoT module developed by collaboration between IRCAM and PluX. In order to use the computer as a tool for executing the program, several systems were constructed. When displaying the score on Max, I used Max\u0027s external library \u201cbach\u201d. In order to make the computer play a role as a performer, I built a system, using Max\u0027s external library \u201cAntescofo\u201d. Through this research, I mention the possibility of musical expression by computer calculation, which is difficult for human beings.", "subitem_description_type": "Abstract"}]}, "item_6_description_5": {"attribute_name": "\u5185\u5bb9\u8a18\u8ff0", "attribute_value_mlt": [{"subitem_description": "\u5b66\u4f4d\u306e\u7a2e\u985e: \u535a\u58eb\uff08\u5b66\u8853\uff09. \u5831\u544a\u756a\u53f7: \u7532\u7b2c4598\u53f7. \u5b66\u4f4d\u8a18\u756a\u53f7: \u65b0\u5927\u9662\u535a\uff08\u5b66\uff09\u7532\u7b2c95\u53f7. \u5b66\u4f4d\u6388\u4e0e\u5e74\u6708\u65e5: \u5e73\u621031\u5e743\u670825\u65e5", "subitem_description_type": "Other"}]}, "item_6_description_53": {"attribute_name": "\u5b66\u4f4d\u8a18\u756a\u53f7", "attribute_value_mlt": [{"subitem_description": "\u65b0\u5927\u9662\u535a\uff08\u5b66\uff09\u7532\u7b2c95\u53f7", "subitem_description_type": "Other"}]}, "item_6_dissertation_number_52": {"attribute_name": "\u5b66\u4f4d\u6388\u4e0e\u756a\u53f7", "attribute_value_mlt": 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