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  1. 210 大学院現代社会文化研究科
  2. 60 博士学位論文
  3. 10 博士学位論文
  1. 0 資料タイプ別
  2. 02 学位論文

アルゴリズムコンポジションによる人間とコンピュータとのインタラクティブな関係性におけるシステムの構築に関する実践的研究

http://hdl.handle.net/10191/51232
5e26b91e-4e62-445c-a7e0-f24ba059c99c
名前 / ファイル ライセンス アクション
h30zik95.pdf 本文 (11.7 MB)
h30zik95_a.pdf 要旨 (188.9 kB)
Item type 学位論文 / Thesis or Dissertation(1)
公開日 2019-07-08
タイトル
タイトル アルゴリズムコンポジションによる人間とコンピュータとのインタラクティブな関係性におけるシステムの構築に関する実践的研究
タイトル
言語 en
タイトル アルゴリズムコンポジションによる人間とコンピュータとのインタラクティブな関係性におけるシステムの構築に関する実践的研究
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_46ec
タイプ thesis
その他のタイトル
その他のタイトル Practical Studies on System Construction for Interactive Relationship between Human and Computer by Algorithm Composition
著者 大野, 雅夫

× 大野, 雅夫

WEKO 175270

大野, 雅夫

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抄録
内容記述タイプ Abstract
内容記述 Through three stages of composition I succeeded in constructing a system for interactive relationship between humans and computers by algorithm composition.
《I》
"Etude" for piano and live electronics(2015) is my composition using Antescofo, which is a real-time score following and coordination language for computer music composition and performance, and is developed by Arshia Cont in collaboration with Marco Stroppa.
In this composition, Antescofo follows the performer, who controls the tempo. I tried to find a way to make the system work and clarified the problem through analysis.

《II》
In the previous stage, I mentioned several technical restrictions in the creation of my own work applying the real-time score following technology, and also described the effectiveness of the use of Antescofo, which works with Max as a solution to those. As a continuation of the previous paper, I studied how computers can participate more actively in this paper. I created a program that runs under the following two relationships:
①A relationship between Max as a performer and a human as a performer
②A relationship between Max as a performer and Max as a performer (A relationship between Max and Max)
Based on this relationship, three works were produced and analyzed. Finally, I mentioned the future possibility of the interactive relationship between a computer performer and a human performer.

《III》
In the previous stage, I studied how computers can participate with humans more actively, and created a program that runs under the following two main relationships between humans and computer. Based on this relationship, several works were produced and analyzed. Finally, I mentioned the future possibility of the interactive relationship between a computer performer and a human performer. In this paper, I constructed a system for musical expression in the interactive relationship between a human and a computer, focusing on three roles of computer:①A computer as a musical instrument
②A computer as a tool for executing a program (thoughts by a computer)
③A computer as a performer
In order to use a computer as a musical instrument, I constructed a system that uses Max to output the MIDI note number of the harmonic overtone by the bang message. Furthermore, to recognize the motion of the human hand and send a bang message wirelessly to a computer, I used the R-IoT module developed by collaboration between IRCAM and PluX. In order to use the computer as a tool for executing the program, several systems were constructed. When displaying the score on Max, I used Max's external library “bach”. In order to make the computer play a role as a performer, I built a system, using Max's external library “Antescofo”. Through this research, I mention the possibility of musical expression by computer calculation, which is difficult for human beings.
内容記述
内容記述タイプ Other
内容記述 学位の種類: 博士(学術). 報告番号: 甲第4598号. 学位記番号: 新大院博(学)甲第95号. 学位授与年月日: 平成31年3月25日
書誌情報 p. 1-90, 発行日 2019-03-25
出版者
出版者 新潟大学
著者版フラグ
値 ETD
学位名
学位名 博士(学術)
学位授与機関
学位授与機関名
学位授与機関名 新潟大学
学位授与年月日
学位授与年月日 2019-03-25
学位授与番号
学位授与番号 13101甲第4598号
学位記番号
内容記述タイプ Other
内容記述 新大院博(学)甲第95号
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