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舞踊作品「盅碗舞」からみる文化の受容と形成 : 中華人民共和国建国後のモンゴル民族の舞台芸術の形成を中心に
http://hdl.handle.net/10191/0002000795
http://hdl.handle.net/10191/0002000795b8f4aef8-485e-4af4-acbd-2a1a23490974
名前 / ファイル | ライセンス | アクション |
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76_1-18.pdf (869KB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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公開日 | 2023-02-28 | |||||||||
タイトル | ||||||||||
言語 | ja | |||||||||
タイトル | 舞踊作品「盅碗舞」からみる文化の受容と形成 : 中華人民共和国建国後のモンゴル民族の舞台芸術の形成を中心に | |||||||||
タイトル | ||||||||||
言語 | en | |||||||||
タイトル | Viewing the Acceptance and Formation of Culture from the Dance Work "Cups and Bowls Dance" : Focusing on the Formation of Mongolian ethnic group's Performing Arts after the Founding of the People's Republic of China | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
キーワード | ||||||||||
言語 | ja | |||||||||
主題Scheme | Other | |||||||||
主題 | 文化交流 | |||||||||
キーワード | ||||||||||
言語 | ja | |||||||||
主題Scheme | Other | |||||||||
主題 | 民族舞踊 | |||||||||
キーワード | ||||||||||
言語 | ja | |||||||||
主題Scheme | Other | |||||||||
主題 | 内モンゴル歌舞団 | |||||||||
キーワード | ||||||||||
言語 | ja | |||||||||
主題Scheme | Other | |||||||||
主題 | 盅碗舞 | |||||||||
キーワード | ||||||||||
言語 | ja | |||||||||
主題Scheme | Other | |||||||||
主題 | モンゴル人民共和国 | |||||||||
資源タイプ | ||||||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||||||
タイプ | departmental bulletin paper | |||||||||
アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
著者 |
, ホル
× , ホル
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抄録 | ||||||||||
内容記述タイプ | Abstract | |||||||||
内容記述 | This paper examines the experience and dance of Modegema, an Inner Mongolian dancer who became famous in China in the early 1960s under the name of "Cups and Bowls Dance", and discusses the acceptance and formation of Mongolian People's Republic culture in Mongolian ethnic group's dance works. Although it is generally explained that the "Cups and Bowls Dance" originated from the folk dance in the Ordos region of Inner Mongolia, Modegema mentioned that it is also related to the dance of the People's Republic of Mongolia. This study also focuses on the process by which the dancers from the People's Republic of Mongolia taught dance education to Inner Mongolia in the mid-1950s. In addition, it investigates the art and culture of the People's Republic of Mongolia, especially the characteristics of folk dance and their influence on the performing arts of Inner Mongolia according to the historical facts. | |||||||||
言語 | en | |||||||||
書誌情報 |
ja : 現代社会文化研究 en : THE JOURNAL OF THE STUDY OF MODERN SOCIETY AND CULTURE 巻 76, p. 1-18, 発行日 2023-02 |
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出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 新潟大学大学院現代社会文化研究科 | |||||||||
出版者 | ||||||||||
言語 | en | |||||||||
出版者 | Graduate School of Modern Society and Culture, NIIGATA University | |||||||||
ISSN | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 1345-8485 | |||||||||
書誌レコードID | ||||||||||
収録物識別子タイプ | NCID | |||||||||
収録物識別子 | AN1046766X | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |