{"created":"2021-03-01T06:11:51.979167+00:00","id":7879,"links":{},"metadata":{"_buckets":{"deposit":"17d14fcd-8a94-4cab-a11b-feb9ef7f662d"},"_deposit":{"id":"7879","owners":[],"pid":{"revision_id":0,"type":"depid","value":"7879"},"status":"published"},"_oai":{"id":"oai:niigata-u.repo.nii.ac.jp:00007879","sets":["428:429:770:813","453:456"]},"item_7_alternative_title_1":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Tanizaki's Chijin no Ai : From the Perspective of a Constructed Screenplay"}]},"item_7_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2002-11","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"1_a","bibliographicPageStart":"19_a","bibliographicVolumeNumber":"25","bibliographic_titles":[{"bibliographic_title":"現代社会文化研究"},{"bibliographic_title":"現代社会文化研究","bibliographic_titleLang":"en"}]}]},"item_7_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"《癡人的愛》是谷崎潤一郎移居關西後的第一部長篇小説。近十數年来着眼於電影製作手法的觀黠，為本作品的解讀上提供了嶄新方向。筆者於參考了數篇有關谷崎作品與電影的論述之後，發現各家視黠皆偏重於援用少數撮影技術用語，做為論証作品中細部描寫的方法與前提。但過於偏頗作品中片断的細節，是否有輕易地忽略了作品全體架構的疑慮？本論文亦將焦點鎖定在大正活映株式會社的谷崎任職經歴和他封初期電影的觀感與評價；特別是針對其脚本部顧問的職稱及工作性質，導引出以下的推論和今後的課題。本作品乃是採用電影劇本的構成做為寫作方法為前提，將故事内的紺節對比等等情況幸先規劃好之後，有條不紊舗陳開來的小説。依楯電影劇本構造的手法，羅列出作品進行的架構及内容，也許就是日後谷崎在寫作長篇小説時的技巧和秘訣。","subitem_description_type":"Abstract"}]},"item_7_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"56669","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Tsai, Yi Ching"}]}]},"item_7_publisher_7":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"新潟大学大学院現代社会文化研究科"}]},"item_7_select_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_7_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN1046766X","subitem_source_identifier_type":"NCID"}]},"item_7_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13458485","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"蔡, 宜静"}],"nameIdentifiers":[{"nameIdentifier":"56668","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-08-06"}],"displaytype":"detail","filename":"18_0093.pdf","filesize":[{"value":"190.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"18_0093.pdf","url":"https://niigata-u.repo.nii.ac.jp/record/7879/files/18_0093.pdf"},"version_id":"9062bd83-ea0b-47b3-a489-3b742d7c2acb"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"谷崎潤一郎","subitem_subject_scheme":"Other"},{"subitem_subject":"痴人の愛","subitem_subject_scheme":"Other"},{"subitem_subject":"映画","subitem_subject_scheme":"Other"},{"subitem_subject":"シナリオ","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『痴人の愛』論 : シナリオの構成に即して","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『痴人の愛』論 : シナリオの構成に即して"},{"subitem_title":"『痴人の愛』論 : シナリオの構成に即して","subitem_title_language":"en"}]},"item_type_id":"7","owner":"1","path":["456","813"],"pubdate":{"attribute_name":"公開日","attribute_value":"2007-04-18"},"publish_date":"2007-04-18","publish_status":"0","recid":"7879","relation_version_is_last":true,"title":["『痴人の愛』論 : シナリオの構成に即して"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-15T03:42:08.795437+00:00"}