@article{oai:niigata-u.repo.nii.ac.jp:00007645,
 author = {荒木, 陽子},
 journal = {現代社会文化研究, 現代社会文化研究},
 month = {Dec},
 note = {Evangeline(1847), an American narrative poem by Henry Wadsworth Longfellow, played a crucial role in the construction of cultural identity of Acadians, a group of French-speaking Canadians mostly found in maritime provinces. The world famous poet’s representation of the Great Upheaval of 1755 enabled Acadian nationalists to differentiate themselves from other French population in North America, notably Quebeckers, and proclaimed their existence to the world in the wake of Acadian Renaissance in the late nineteenth century. Acadian cultural elites of the Second Acadian Renaissance in the 1960-70s, however, protested the images of Acadians created by the Harvard professor and favored by their Acadian predecessors. One of the protests was from Antonine Maillet, An Acadian winner of the Prix Goncourt, who explicitly overturned the images of Evangeline in her play Evangeline Deusse (1975), a form of parody of Evangeline. Presenting a subversive anti-Evangeline character who bears the same name, Maillet attempted to present a new Acadian heroine in the era after their significant socio-cultural victory in 1960s: the Equal Opportunity Programme and Official Languages Act of 1969 in New Brunswick, Canada. Comparing the two Evangelines, this article will reexamine the problematic images of Longfellow’s Evangeline still enshrined in Acadian institutions in spite of criticisms.},
 pages = {359--372},
 title = {ロングフェロー著『エヴァンジェリン』再考 : マイエ著『エヴァンジェリーヌ二世』とのインターテクスト性をてがかりに},
 volume = {40},
 year = {2007}
}