@article{oai:niigata-u.repo.nii.ac.jp:00007445,
 author = {劉, 姣},
 journal = {現代社会文化研究, 現代社会文化研究},
 month = {Mar},
 note = {This paper discusses Hollywood's otherness of Japan in the 1950's portrayed through a Japanese woman named Mariko (Shirley Yamaguchi) in the film House of Bamboo. Traditionally, miscegenation was always treated as a taboo in classic Hollywood films. The happy ending in House of Bamboo where an American man and a Japanese woman getting together is a break in the Hollywood tradition. In addition, the representations of virtue in a Japanese woman, manliness in an American man and the absence of Japanese men in this film had a great influence on other films in the same era. However, the emphasis in this film is on Mariko who embodies multiple ideologies. By discussing the character of Mariko, we would be able to understand the reason why more and more Japanese women characters like Mariko were appearing in Hollywood films during the 50's. Moreover, through Mariko we can also better understand the ideologies of American society in the 50's.},
 pages = {19--33},
 title = {『東京暗黒街・竹の家』におけるマリコ像 : 満映時代における李香蘭の身体表象との比較},
 volume = {56},
 year = {2013}
}