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文革時期の中国木偶戯 : 舟山群島「東昇木偶劇団」を例として
http://hdl.handle.net/10191/31249
http://hdl.handle.net/10191/31249a313d2ea-252b-41ce-8643-ac3edca8ed21
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
59_19-36.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2015-01-06 | |||||
| タイトル | ||||||
| タイトル | 文革時期の中国木偶戯 : 舟山群島「東昇木偶劇団」を例として | |||||
| タイトル | ||||||
| タイトル | 文革時期の中国木偶戯 : 舟山群島「東昇木偶劇団」を例として | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 木偶戯 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 文革大革命 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 破四旧 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 舟山 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Chinese Puppet Plays during the Great Cultural Revolution Period : Illustrated Dongsheng Puppet Play Troupe in Zhoushan Archipelago | |||||
| 著者 |
毛, 久燕
× 毛, 久燕 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 55822 | |||||
| 姓名 | Mao, Jiuyan | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This work, an investigation of Dongsheng Puppet Play Troupe in the Zhoushan Archipelago, had an insight into the history of Chinese Puppet Plays during the Great Cultural Revolution period. In terms of the national trends, it was not only Puppet Plays, one kind of folk performing arts, that was targeted for criticism as one of the four olds (old thought, culture, customs, habits) in those days. The presentation of the traditions drama that is a main component of Puppet Plays was prohibited, but also the stage, doll heads and tools were almost all burnt and suffered devastating damage. The influence lasts to the present. However, there are few concrete documents and records about the damage, and until now there was hardly a study about it. In this work, we examined the Dongsheng Puppet Play Troupe in the Zhoushan Archipelago as an example to concretely analyze and investigate the influence of the Great Cultural Revolution on Puppet Plays, from the perspective of replacing the do away with the‵four olds‵ movement and traditional dramas with the revolution model dramas in modern times, as well as the influence on the living of those old performers in the Zhoushan Archipelago. | |||||
| 書誌情報 |
現代社会文化研究 en : 現代社会文化研究 巻 59, p. 19-36, 発行日 2014-12 |
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| 出版者 | ||||||
| 出版者 | 新潟大学大学院現代社会文化研究科 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13458485 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN1046766X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
