2024-03-29T09:27:33Z
https://niigata-u.repo.nii.ac.jp/oai
oai:niigata-u.repo.nii.ac.jp:00007308
2022-12-15T03:40:37Z
428:429:770:771
453:456
音楽創作における2 つの関係性によるコンピュータと演奏者の役割についての考察 : 自作のMax パッチの分析を通して
音楽創作における2 つの関係性によるコンピュータと演奏者の役割についての考察 : 自作のMax パッチの分析を通して
A study on the Role of Computer and Performer by Two Relationships in Composition : Through Analysis of my own Max Patch
大野, 雅夫
コンピュータ
リアルタイム・スコアフォローイング
Antescofo Max
In the previous paper, I mentioned several technical restrictions in the creation of my own work applying the real-time score following technology, and also described the effectiveness of the use of Antescofo, which works with Max as a solution to those. As a continuation of the previous paper, I studied how computers can participate more actively in this paper. I created a program that runs under the following two relationships: (1) A relationship between Max as a performer and a human as a performer (2) A relationship between Max as a performer and Max as a performer (A relationship between Max and Max) Based on this relationship, three works were produced and analyzed. Finally, I mentioned the future possibility of the interactive relationship between a computer performer and a human performer.
新潟大学大学院現代社会文化研究科
2018-03
jpn
departmental bulletin paper
http://hdl.handle.net/10191/50115
https://niigata-u.repo.nii.ac.jp/records/7308
AN1046766X
13458485
現代社会文化研究
現代社会文化研究
66
171
186
https://niigata-u.repo.nii.ac.jp/record/7308/files/66_171-186.pdf
application/pdf
677.1 kB
2019-08-06