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As I already pointed out in this journal, the \"young\" architect shows traits of the English scientist Thomas Young. We should not forget, however, that the architect is compared to epic heroes who advanced from minor roles (Part II, Chapter 1): The narrator seems to suggest that the architect becomes a major character in Part II of the novel just as the protagonists of Odyssey and Aeneid emerged from dozens of warriors of the Iliad. Thus, we are led to regard him not only as the caricature of a scientist but as a legendary configuration consisting of several real individuals. His real models can be identified by his relations with two other supporting characters: Luciane and her bridegroom as the caricatures of Napoleon and Vivant Denon. His indifference to Luciane\u0027s arbitrary celebrations (the cult of \"St. Napoleon\") is reminiscent of Doubting Thomas. His discreet collaboration with her pantomime symbolizes Thomas Jefferson\u0027s Louisiana Purchase which financially enabled Napoleon to plan the invasion of Great Britain (they had \"a sharpened piece of chalk\" [the cliff of Dover] in an expensive \"golden pen holder\"; the \"Lombardesque\" monument depicted on the \"black\" or \"large\" board [Tafel] caricatures the Treaty of San Ildefonso of 1800 and Napoleon\u0027s deceptive campaign of 1805 with allusions to his coronation in Milan, to the Rosetta stone in London, and to the American/Italian Piedmont). Luciane\u0027s urn [Urne] symbolizes the constitutional referendums by which Bonaparte built up his dictatorship; the architect reluctantly depicts the urn, as Jefferson responded to Napoleon\u0027s Continental System with the resolution of embargo. The \"architect\" subsequently refuses to show Luciane his collections in the same manner as Thomas Bruce (Lord Elgin) refused to sell the marble sculptures to Napoleon; his conflict with Ottilie reflects Elgin\u0027s treatment of the Parthenon. Luciane\u0027s bridegroom then tries to develop his own collections together with the \"architect\": Denon had to cooperate with Napoleon\u0027s court architect in remodeling the Louvre into the Musée Napoleon. When Luciane travels to another estate \"in the Polish manner\", Charlotte and Ottilie (personifying ›air‹ and ›fire‹) arrange that the architect or \"the young man\" follow Luciane\u0027s bridegroom: Denon encouraged artists (such as Gros and Lejeune) to embellish Napoleon\u0027s doubtful achievements with harmless depictions of the battlefields (Eylau and Austerlitz). Luciane has reason to hate Ottilie: Lord Nelson\u0027s career is woven into Ottilie\u0027s diaries (Chapter 7).", "subitem_description_type": "Abstract"}]}, "item_7_publisher_7": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "19世紀学学会"}, {"subitem_publisher": "19世紀学研究所"}]}, "item_7_select_19": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_7_source_id_11": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA12315106", "subitem_source_identifier_type": "NCID"}]}, "item_7_source_id_9": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "18827578", "subitem_source_identifier_type": "ISSN"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "Matsui, Takaoki"}], "nameIdentifiers": [{"nameIdentifier": "51420", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2019-08-06"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "8_99-117.pdf", "filesize": [{"value": "276.1 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 276100.0, "url": {"label": "8_99-117.pdf", "url": "https://niigata-u.repo.nii.ac.jp/record/6129/files/8_99-117.pdf"}, "version_id": "1f131556-c2df-4619-a103-34230b31f2dd"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "deu"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften"}, {"subitem_title": "Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften", "subitem_title_language": "en"}]}, "item_type_id": "7", "owner": "1", "path": ["456", "26"], "permalink_uri": "http://hdl.handle.net/10191/30025", "pubdate": {"attribute_name": "公開日", "attribute_value": "2014-09-24"}, "publish_date": "2014-09-24", "publish_status": "0", "recid": "6129", "relation": {}, "relation_version_is_last": true, "title": ["Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften"], "weko_shared_id": null}
Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften
http://hdl.handle.net/10191/30025
http://hdl.handle.net/10191/300255ed595c0-9002-4592-8bdf-a0e4c40a82f1
名前 / ファイル | ライセンス | アクション |
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8_99-117.pdf (276.1 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2014-09-24 | |||||
タイトル | ||||||
タイトル | Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Architektonik der Napoleonischen Kriege : Thomas Jefferson, Thomas Bruce (1766-1841) und Vivant Denon (1747-1825) in Goethes Wahlverwandtschaften | |||||
言語 | ||||||
言語 | deu | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | Architectonics of the Napoleonic Wars : Thomas Jefferson, Thomas Bruce (1766-1841), and Vivant Denon (1747-1825) in Goethe's Elective Affinities | |||||
著者 |
Matsui, Takaoki
× Matsui, Takaoki |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Goethe created a "young architect" as a supporting character in his satirical novel, Elective Affinities. As I already pointed out in this journal, the "young" architect shows traits of the English scientist Thomas Young. We should not forget, however, that the architect is compared to epic heroes who advanced from minor roles (Part II, Chapter 1): The narrator seems to suggest that the architect becomes a major character in Part II of the novel just as the protagonists of Odyssey and Aeneid emerged from dozens of warriors of the Iliad. Thus, we are led to regard him not only as the caricature of a scientist but as a legendary configuration consisting of several real individuals. His real models can be identified by his relations with two other supporting characters: Luciane and her bridegroom as the caricatures of Napoleon and Vivant Denon. His indifference to Luciane's arbitrary celebrations (the cult of "St. Napoleon") is reminiscent of Doubting Thomas. His discreet collaboration with her pantomime symbolizes Thomas Jefferson's Louisiana Purchase which financially enabled Napoleon to plan the invasion of Great Britain (they had "a sharpened piece of chalk" [the cliff of Dover] in an expensive "golden pen holder"; the "Lombardesque" monument depicted on the "black" or "large" board [Tafel] caricatures the Treaty of San Ildefonso of 1800 and Napoleon's deceptive campaign of 1805 with allusions to his coronation in Milan, to the Rosetta stone in London, and to the American/Italian Piedmont). Luciane's urn [Urne] symbolizes the constitutional referendums by which Bonaparte built up his dictatorship; the architect reluctantly depicts the urn, as Jefferson responded to Napoleon's Continental System with the resolution of embargo. The "architect" subsequently refuses to show Luciane his collections in the same manner as Thomas Bruce (Lord Elgin) refused to sell the marble sculptures to Napoleon; his conflict with Ottilie reflects Elgin's treatment of the Parthenon. Luciane's bridegroom then tries to develop his own collections together with the "architect": Denon had to cooperate with Napoleon's court architect in remodeling the Louvre into the Musée Napoleon. When Luciane travels to another estate "in the Polish manner", Charlotte and Ottilie (personifying ›air‹ and ›fire‹) arrange that the architect or "the young man" follow Luciane's bridegroom: Denon encouraged artists (such as Gros and Lejeune) to embellish Napoleon's doubtful achievements with harmless depictions of the battlefields (Eylau and Austerlitz). Luciane has reason to hate Ottilie: Lord Nelson's career is woven into Ottilie's diaries (Chapter 7). | |||||
書誌情報 |
19世紀学研究 en : 19世紀学研究 巻 8, p. 99-117, 発行日 2014-03 |
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出版者 | ||||||
出版者 | 19世紀学学会 | |||||
出版者 | ||||||
出版者 | 19世紀学研究所 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18827578 | |||||
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収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12315106 | |||||
著者版フラグ | ||||||
値 | publisher |